Wednesday, November 3, 2021

Barry Gibb tribute stamps

 THE ISLE OF MAN PAYS TRIBUTE TO SIR BARRY GIBB WITH SPECIAL EDITION STAMP ISSUE 3rd November 2021 





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Says Barry: “I’m very proud of my Manx roots. I was born and bred on the ancient, mystical, magical Isle Of Man, and I have very fond memories of growing up there, so to appear on a set of its stamps is not only a wonderful surprise, but also an honour and a privilege.” https://www.iompost.com/stamps-coins/collection/sir-barry-gibb-singer-songwriter-producer/

Monday, November 1, 2021

The nicest guy in rock’ Dave Grohl okt 2021

 

David Grohl Foo Fighters

The funny thing about the way the Bee Gees wrote songs was that they didn't do it conventionally with a verse-chorus-verse-chorus structure.

The Bee Gees divided a song into three sections, and those three sections were repeated twice. So with the Bee Gees you often think: is this the verse or the chorus? You don't know, it's just one musical highlight. Because the Bee Gees are such fantastic songwriters.

 I really love the Bee Gees. Otherwise we wouldn't have made a Bee Gees tribute album with the Foo Fighters (the last year's Hail Satin, ed.). We were in the studio one day, wanted to record a cover and I said let's do something from the Bee Gees! And the band said, uh, okay. But how then, they asked, how do you want to do that? And I said, just like the fucking Bee Gees! So we did.

 And the next day we did another Bee Gees song. And again the next day, until we had a whole album.

 I've never sung this high before, and I've found that singing Bee Gees songs is actually much easier than singing Foo Fighters songs, because it always makes me scream my throat completely bloody.

 When it came out – we called ourselves Dee Gees (after Dave Grohl's initials, ed.) – I was allowed to call Barry Gibb. What an incredibly sweet guy that is.”

 

  https://beegeesfanfever.blogspot.com/

 

 

Tuesday, September 21, 2021

Barry Gibb explains why The Bee Gees never recorded a Christmas song

 

Sir Barry Gibb has said he believes modern Christmas songs are a “marketing trick”, citing this as his reason for why The Bee Gees never released their own festive track.

The closest the band came to a Christmas song – other than their “Fan Club Only” seven-inch released during the holidays in 1978 – was “First of May”, which begins: ‘When I was small and Christmas trees were tall.”

However, the song was released in February and addresses themes of regret and nostalgia.

“We've always avoided it. I think it was appropriate maybe 50 years ago,” Gibb told the BBC. “These days I think it's too much of a marketing trick.”

He noted that his late brother Robin’s final studio album was a Christmas record, titled My Favourite Christmas Carols, but added that he wasn’t involved with it.

 

 

https://beegeesfanfever.blogspot.com/

Monday, August 9, 2021

FAME, FAMILY & TRAGEDY

FAME, FAMILY & TRAGEDY

Jealousy, heartbreak and addiction couldn’t stop them from making hit records

Barry, Robin and Maurice sang together from childhood.

 

Inspired after a day in the studio with his brothers, Robin Gibb would often return home enthusiastic to share their music.

“He was like a little kid, always excited about a song they’d written,” recalls Robin’s eldest son Spencer. “Working with his brothers was one of the things that made him the happiest.”

With more than 120 million records sold worldwide, the Bee Gees were one of the most successful groups of all time – and one of the few of its stature whose core members were family. The brothers Barry, Maurice and Robin Gibb, whose songs for the movie Saturday Night Fever became the soundtrack to the disco era, also enjoy the distinction of having written all of their hits.

But perhaps their greatest achievement was finding a way to remain family despite incredible fame, rivalries, substance abuse and heartbreaking loss.

In a new documentary,

The Bee Gees: How Can You Mend A Broken Heart, producer Frank Marshall explores the fascinating dynamic between the singing brothers.

“They transcended five decades, and somehow they stayed together over these five decades and kept reinventing themselves," he says.

David N Meyer, author of

The Bee Gees: The Biography,

told Closer magazine of the group, “They always recognised that they needed one another to do their best work. So they were stuck with all their love, all their resentment, all their anger, and all the inspiration they gave each other.”

OBSESSION

Twins Maurice and Robin discovered music when they began singing harmonies together at the age of six. By the time their family emigrated from England to Australia in 1958, their father Hugh had put them into a singing trio with their older brother Barry. “Music became an obsession, and eventually we felt more comfortable with each other than we did with anyone else,” Robin said. “The three of us were like one person.”

But a birth-order dynamic emerged, and no matter how much time went by or how hard they tried to escape it, each always played the same role.

“Barry had considerable music gifts. He was very much the big brother, the alpha. Robin, meanwhile, was a great singer and a pretty good songwriter, but he just didn’t have the will to stand up to Barry,” says

David, who notes Maurice was always the one in the middle.

The group enjoyed their first rush of fame in the 1960s. “One of the most incredible moments I can remember is being in the north of England on stage and our manager told us that Massachusetts had gone to number one,” said Maurice.

There were many more hits, including Spicks And Specks and I’ve Gotta Get A Message To You, but they soon suffered a decline in popularity. After their early fame, the brothers got married, dealt with substance abuse issues and, in late 1969, split up briefly to pursue shortlived solo careers.

“Their nicknames for themselves were Pissy, Pilly and Potty because Maurice got piss-drunk, Robin liked pills and Barry liked weed,” confides David.

Barry has said, “We never saw the hard stuff. But we saw enough. I watched that go on constantly with all three of my brothers.”

The trio’s younger brother, Andy, who was born in 1958, shared a special kinship with Barry. “Maurice and Robin were the real twins, but Andy and I were like twins," he says. “We sort of looked alike and even had the same birthmark.”

Together again by mid-1970, the Bee Gees scored hits in 1975 with Nights On Broadway and

Jive Talkin’. In 1977 came the

Saturday Night Fever album, one of the bestselling LPs of all time and a chart-topper in many countries including the US, UK and Australia.

That same year Andy, 19, enjoyed his first hit with I Just Want To Be Your Everything. However, he didn’t adapt to fame as well as his brothers did. “Success was just torture for Andy. He never knew how to deal with it,” says David.

DRIFTING APART

His death in 1988 at age

30 from a heart ailment exacerbated by years of drug use was a tragedy his elder brothers would never recover from. “I lost my best friend when I lost Andy,” says Barry.

The family would suffer another blow in 2003, when Maurice died suddenly due to complications from a twisted intestine. By then, he had obtained sobriety and was a devoted family man.

Without Maurice, Robin and Barry drifted apart, but Barry reached out before Robin’s death from kidney failure in 2012. “We laughed about a lot of things, and we sort of made up. At least we were together,” recalls Barry.

‘They needed one another to do their best work’

Thursday, August 5, 2021

Barbra Streisand interview ( part of talking about Barry Gibb)

new cd Release Me 2, 2021 

 There's even more fun to be had on the Barry Gibb duet, If Only You Were Mine. An offcut from 2005's Guilty Pleasures, it features a mischievous back-and-forth between the singers, who critique each other's vocals over breezy bossa nova groove.

 "I was having fun with him," Streisand recalls."The rhythm of the song gives you that leeway to play. And I love to play." Their relationship goes back to 1981, when Streisand enlisted the Bee Gees star to write and produce her 22nd album, Guilty, at the same time as she was working on the script to Yentl. "It worked out perfectly for my life, because I could be writing, while he was mixing the track," she recalls. "Then I would sing the song 10 times. 

That's what he wanted me to do, sing the song 10 times - because every time I sing any song, I do it differently. "And so I was able to trust myself with him and it was just the easiest album I've ever made." GuiIty became Streisand's most successful record, producing hit singles like Woman In Love and the melodramatic duet What Kind of Fool. 

 


 https://beegeesfanfever.blogspot.com/