Skip to main content

Island Ignited Bee Gees’ Musical “Fever”



March 12, 2013



The lyrics to one of their 1976 hits ran “What you doin’ on your back/You should be dancing, yeah/Dancing, yeah …” and the following year the entire world was doing just that when three songs written by the superstar Gibb brothers in Bermuda topped the international music charts.

“Stayin’ Alive”, the Bee Gees’ theme song to the phenomenally successful movie ”Saturday Night Fever”, along with two back-to-back number one hits by teen sensation Robin Gibb were all composed at the Bermuda home of Australian-born impresario and entertainment entrepreneur Robert Stigwood.

The Bee Gees — brothers Barry, Robin and Maurice Gibb — had been managed by Mr. Stigwood since the 1960s when they first found fame as a pop act. The trio later released their singles and albums on Mr. Stigwood’s independent RSO Records label which he launched in 1973.

The groups’s career was resurgent in the mid-1970s; they had moved from pop songs and ballads marked by their soaring harmonies to a more rhythmic, disco-influenced style, producing hits such as “Jive Talkin’”, “Nights on Broadway” and “You Should Be Dancing.”

In 1976 Barry Gibb, the eldest Gibb brother and the Bee Gees’ unofficial leader, along with brother Robin had spent a number of months at Mr. Stigwood’s luxurious resort home “Palm Grove” in Devonshire.

While on the island planning new projects with Mr. Stigwood, the brothers had penned several new songs — one of which was titled “Stayin’ Alive.”

Bee Gees Barry, Robin and Maurice Gibb with Robert Stigwood



The songs were originally intended for a new Bee Gees album. The group was in the midst of recording the material at France’s Le Chateau Studios when Mr. Stigwood informed them the songs they were working on were now to be featured on the soundtrack of his upcoming film “Saturday Night Fever.”

Mr. Stigwood’s transitions from a rock band manager and producer to multimedia entertainment impresario had started in the late ’60s when he saw the musical “Hair” on Broadway and decided to produce it in London’s West End.

He went on to produce the stage and movie versions of “Jesus Christ Superstar”, a film adaptation of The Who’s rock opera “Tommy” and brokered the deals which repackaged British TV hits “Til Death Do Us Part” and “Steptoe & Son” as “All In The Family” and “Sandford & Son” on American television in the early 1970s.

A 1976 “Rolling Stone” magazine profile described Mr. Stigwood “as constant traveler, a bachelor with homes in Los Angeles, New York and Bermuda … a peripatetic power broker with a penchant for style and a fondness for life in the grand manner.”

When Mr. Stigwood arrived in Bermuda in 1976, he was planning a slate of new movies — one of them a low-budget production based on a “New York” magazine article about the disco sub-culture called “Tribal Rites Of The New Saturday Night”; the film’s title was changed to “Saturday Night Fever.”

Starring the relatively unknown sitcom actor John Travolta, the film told the story of of a Brooklyn paint store clerk who escapes his dead-end life on the disco dance floor.

A massive popular and critical success, the film was a cultural phenomenom. It popularised disco music around the world and turned Mr. Travolta into a superstar ["We thought we were making a little art film," the actor said in the wake of "Saturday Night Fever's" remarkable success].

The “Saturday Night Fever” soundtrack, featuring four new songs by by the Bee Gees and two previously released tracks, became one of the best selling soundtracks of all time.

Some sections of the other chart-topping Bee Gees singles from the soundtrack — “How Deep Is Your Love”, “Night Fever” and “More Than A Woman” — had been sketched out in Bermuda. But “Stayin’ Alive” — the first and biggest selling single from the album — is the only song that was largely completed here.

Speaking to a Netherlands radio interviewer in 2002, Maurice Gibb said “Stayin’Alive” was “really born, I think, more in Bermuda than anywhere else. We finished it off in France.”

Independently of working on new songs for themselves in Bermuda during their 1976 sojourn, Barry and Maurice Gibb were also planning the next career move for younger brother Andy with Mr. Stigwood.

With his blonde good looks and clear, melodic voice, the youngest Gibb brother — he was then 18 — had become a pop sensation in Australia and Mr. Stigwood was interested in launching his career internationally.

After Andy Gibb married girlfriend Kim Reeder in Sydney on July 1, Mr. Stigwood invited the couple to spend their honeymoon at “Palm Grove”.

“[Following] the reception, the new Mr. and Mrs. Andrew Roy Gibb left for a honeymoon in Bermuda at Robert Stigwood’s lavish home there,” said Bee Gees biographer Andrew Hughes “Barry and Robert Stigwood were there to meet them and to begin making plans for turning ‘The Bee Gee’ Baby Brother’ into the teen idol, Andy Gibb.

While in Bermuda, Andy Gibb signed a recording and management contract with RSO and collaborated on two songs with brother Barry — “I Just Want To Be Your Everything” and “[Love Is] Thicker Than Water.”

“[When he wasn't working] Andy and Kim found plenty of time to themselves to enjoy their honeymoon,” said Mr. Hughes. “They rode motorbikes all over the island, went shopping and took sightseeing trips.

“They went swimming in the crystal clear water and went out in catamarans. An entire day was spent out on a big-game fishing boat.

“Kim enjoyed Bermuda and loved Stigwood’s house and its garden with a huge pond with a map of Bermuda in it.Stigwood’s culinary skills also impressed her. ‘We ate five-course dinners,’ she remembered. “Robert Stigwood imported nothing but the best and he cooked the food himself. He’s a pretty good chef’ …”

“I Just Want To Be Your Everything” was the first single released by Andy Gibb on the RSO label; released in May 1977 it reached number one in the US and Australia and was among the most played records of the year.

The follow-up Bermuda-penned song “[Love Is] Thicker Than Water” was even more successful.

Released in October, 1977 the single peaked in early 1978 during the time that the Bee Gees’ contributions to the “Saturday Night Fever” soundtrack were dominating the world charts.

Ironically, in the United States it replaced “Stayin’ Alive” — another product of Barry Gibbs’ frenetic “Palm Grove” writing sessions — at the top of the charts. ”[Love Is] Thicker Than Water” was in turn surpassed by the Bee Gees’ “Night Fever”, which also owed something to the Gibbs’ 1976 Bermuda retreat.

While he had a handful of other hits, Andy Gibbs’ career proved to be a troubled one. Succumbing to drug abuse and the pressures of fame, he died in March, 1988 of a heart ailment in Oxford, England. He was just 30 years old.

Among the best-selling musical artists of all time, the Bee Gees continued to record and tour for many years. Maurice died suddenly on January 12, 2003 at the age of 53 from a heart attack, while awaiting emergency surgery to repair a strangulated intestine. Robin Gibb died in May, 2012 following a long illness.

Surviving brother Barry Gibb lives and works in Florida.

Mr. Stigwood lived in Bermuda for many years, moving from “Palm Grove” — which he had rented — to the sprawling “Wreck House” property at the West End of the island [while he was negotiating to buy that estate one of his spokesmen told a Chicago newspaper the mogul was in the process of buying "a small corner of Bermuda the size of several golf courses ... He loves it there"]

“Palm Grove”, the luxurious South Shore estate rented by Robert Stigwood in the ’70s



While in Bermuda he went on to produce the ’50s-era rock’n'roll movie musical “Grease”, which co-starred John Travolta and Australian singer Olivia Newton-John, and the stage show “Evita” along with a later film adaptation starring Madonna.

He hosted such visiting luminaries as the Duchess of York, Mr. Travolta, film director Ken Russell and pop star Cyndi Lauper at his Georgian Wreck Road mansion before moving to the Isle of Wight in the late 1990s. Mr. Stigwood now lives near London.

 

Comments

Popular posts from this blog

Meaning of Songs

Clos
THE MEANING OF SONGSCollaborator:Stephan Koenig ALONE (1997) BARRY GIBB: What the song's really about is that little child inside. It's that abstract feeling we all have that no matter how close or how many relatives we have or how many people around us we love, we still feel alone. There's an aloneness about all of us. That "How do I, why is it always end up alone?" Well, I'm not alone, but I might feel alone, that no one really thinks the way I do. I guess that's because everybody's unique in their own way. We all do feel the same way about most things, but why is it that nobody feels the same way I do about everything? So you're alone. You have that feeling sometimes.

BARKER OF THE UFO (1967)
MAURICE GIBB: Always with experimentation in mind, this was a fun time. The memories of this session will always be remembered. I loved the tuba and reverse cymbal effect.

BLUE ISLAND (1993)
BARRY GIBB: The other side…

The Gibb Collective (Official) Album Teaser 1

ThGibb Family Honors Their Legacy With Bee Gees Tribute Album

The children of all four brothers Gibb record an album of classic songs for release in 2017 The rich musical legacy of the Bee Gees and their brother Andy Gibb continues to entertain millions of fans across the globe, and today the next generation of Gibbs announced a project honoring their music with new interpretations of classic songs. Spearheaded by Maurice’s daughter Samantha and producer Lazaro Rodriguez, the project features contributions from ten different members of the family including children of all four brothers - Maurice, Robin, Andy, and Barry, who released his third solo album this year.

Sparked by Samantha and Lazaro creating one Bee Gees cover on their own, and long awaiting the right time to do a tribute, they realized the musical potential here and that it was time to do something more. Samantha reached out to her siblings and cousins and very quickly they all agreed to take part. “Everyone wanted t…